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Upcoming drums:


Drums at First Universalist Church, Uptown, Minneapolis:
 

For the latest information about time and location for the drum groups, please visit Jaime's blog at DrummingtheSoulAwake.blogspot.com

 

To be added to the drumming email list, click here!

 

For five years Jaime Meyer has been leading drumming groups at
 First Universalist Church of Minneapolis. On average, 25 people attend. No drumming or rhythmic skill is needed! While you will learn some drumming techniques and see your rhythmic abilities expand, this is not a class. But it’s not a wide open drum “jam” either. Jaime lays down some rhythms, offers suggestions, and helps the group stay in a groove with each other. It is a communal, meditative, fun, spiritual experience, meant to open your sense of wonder and bring joy and stress relief. Most of all it’s an opportunity to let the drum work its healing, inspiring magic on you.

The church is at 34th and Dupont in South Minneapolis—four blocks south of Lake and Hennepin, between Hennepin and Lyndale. The parking lot is on the south side of the building, If you arrive late and the doors are locked, feel free to wander to the Dupont side of the building and knock on the window near the front door.  

Cost: $15 per drum. But please don’t let money be an obstacle to you attending. If these drum groups call to you, and money is tight, come and don’t pay!

The first 90 minutes of each drum is all drumming—delicious, enticing, often rambunctious and wild rhythms, and just as often slow, meditative and deeply mysterious rhythms. Then we take a short break for tea and cookies and conversation with fellow drummers. When we return, Jaime leads the group in a ceremony, or ritual, or experience specific to that month's theme as outlined in the letter to group members about a week before the drum.

You are totally free to view everything in the monthly drums in your own way: as simple joyful fun, as interesting theatre, as useful psychological exercises, as soul work, as communing with the spirit world, as prayer to the one God or Goddess or Holy Spirit, as all of the above, or none of the above. There is no right or wrong way to approach this work. All that is asked is that you approach the work with wonder, imagination, and an open mind and heart.

For more information, or to reserve a spot, contact Chris Bremer at 952-926-8542 or bremer101@yahoo.com Or e-mail Jaime.

 

Introduction to Drumming

Drumming is one of the oldest ways humans have entertained themselves and one of the oldest prayer practices. The drum has a mysterious and simple ability to opens places in your emotional and spiritual self that modern industrial culture has coaxed—or slammed—shut for many reasons. Drumming works on everyone, but in different ways. There is no right or wrong way to drum.
 
Some people say that drumming helps to uncover and liberate your “indigenous soul”—that part of you that remembers and yearns for "the original fragrance of the flowering earth," that part of you that remembers and yearns for the what the Celts called the "Oran Mor," the great song of the universe, of which each living thing (from an ant to a supernova) is a note. Some people say that drumming opens the “wild spaces” in you, or that it opens the “dreaming eye.”  (Okay I say that—see the poem to the right.) Drumming opens you, simply and mysteriously. And that is why it is both incredibly fun and incredibly beautiful. I hope that you will find this to be true, as I have.  There’s a poem that comes to mind that I think has a lot to do with how you should view the drumming experience. It’s from a German painter who called himself Wols:
 
Do not explain music
Do not explain dreams
The elusive penetrates all
You must know: everything rhymes.
 
When we drum, I encourage you let go of analyzing, let go of explanations, let go of judgments. When you do that, it is my experience that the Divine (whatever that is—you decide) flows in to the spaces occupied by those constricting energies, and you may be filled with the expansive, awesome sense that “everything rhymes.” That is my experience, and it is my hope for your as you drum.
 
A little historical perspective: We usually think of drums as African, and I do use some African style drums in our group. But I primarily use a type of drum called the “frame” drum. The “Native American” style drum (hand held, played with a stick) is a frame drum, as is the tambourine (a frame drum with jingles). These types of drums are found nearly everywhere on earth. In the biblical book of Exodus, Miriam, the sister of Moses, plays the frame drum while the women rejoice (in trance) over the miracle of the parting of the sea, and the destruction of Pharaoh’s army (Exodus 15:20). Psalm 150 tells us that the frame drum, along with other instruments, is to be used to praise God. As the Roman Empire became Christianized, the frame drum began its slow vanishing from the Western world. Percussive music was banned as “mischievous” and “licentious” (which it is). The drum and cymbals represented, to the church, the devil’s pomposity. In Western culture, the drum became an instrument of war, not an instrument with which to praise the holy. This, to me, is an example of what happens when we try to suppress the mystical energies present in us—prayers praising the life force transform into chants praising the death force. This is why it is crucial to re-open our mystical energies, because it is clear that death chants have a grip on our culture.
 
Hand drums were eliminated from early Christian worship because of their association with the divine feminine—the goddess. The drum’s roundness evokes images of the full moon, the pregnant belly, the womb—all images important to the female based mystery religions that populated the Middle East at the time of Christ. In historical Goddess worship traditions, as well as in cross cultural shamanic traditions, the frame drum is the primary instrument that invokes trance states necessary for spiritual transformation—this is certainly something that priests and hierarchies found (and find) threatening.


For More Information

Read some of the past letters to drummers from Jaime or contact Chris Bremer at 952-926-8542 or bremer101@yahoo.com for more information or to inquire about upcoming activities.

 

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