|








| |
Upcoming drums:
Drums
at
First Universalist Church, Uptown, Minneapolis:
For the latest information about
time and location for the drum groups, please visit Jaime's blog at
DrummingtheSoulAwake.blogspot.com
To be added to the drumming email list, click
here!
For five years Jaime Meyer has been leading
drumming groups at
First Universalist Church of Minneapolis. On average, 25 people
attend. No drumming or rhythmic skill is needed! While you will learn some
drumming techniques and see your rhythmic abilities expand, this is not a class.
But it’s not a wide open drum “jam” either. Jaime lays down some rhythms, offers
suggestions, and helps the group stay in a groove with each other. It is a
communal, meditative, fun, spiritual experience, meant to open your sense of
wonder and bring joy and stress relief. Most of all it’s an opportunity to let
the drum work its healing, inspiring magic on you.
The church is at 34th
and Dupont in South Minneapolis—four blocks south of Lake and Hennepin,
between Hennepin and Lyndale. The parking lot is on the south side of the
building, If you arrive late and the doors are locked, feel free to wander
to the Dupont side of the building and knock on the window near the front
door.
Cost: $15 per drum. But
please don’t let money be an obstacle to you attending. If these drum groups
call to you, and money is tight, come and don’t pay!
The first 90 minutes of
each drum is all drumming—delicious, enticing, often rambunctious and wild
rhythms, and just as often slow, meditative and deeply mysterious rhythms.
Then we take a short break for tea and cookies and conversation with fellow
drummers. When we return, Jaime leads the group in a ceremony, or ritual, or
experience specific to that month's theme as outlined in the letter to group
members about a week before the drum.
You are totally free to
view everything in the monthly drums in your own way: as simple joyful fun,
as interesting theatre, as useful psychological exercises, as soul work, as
communing with the spirit world, as prayer to the one God or Goddess or Holy
Spirit, as all of the above, or none of the above. There is no right or
wrong way to approach this work. All that is asked is that you approach the
work with wonder, imagination, and an open mind and heart.
For more information, or to reserve a spot,
contact Chris Bremer at 952-926-8542 or
bremer101@yahoo.com Or e-mail
Jaime.
Introduction
to Drumming
Drumming
is one of the oldest ways humans have entertained themselves and one of the
oldest prayer practices. The drum has a mysterious and simple ability to opens
places in your emotional and spiritual self that modern industrial culture has
coaxed—or slammed—shut for many reasons. Drumming works on everyone, but in
different ways. There is no right or wrong way to drum.
Some people say that drumming helps to uncover and liberate your “indigenous
soul”—that part of you that remembers and yearns for "the original
fragrance of the flowering earth," that part of you that remembers and
yearns for the what the Celts called the "Oran Mor," the great song of
the universe, of which each living thing (from an ant to a supernova) is a note.
Some people say that drumming opens the “wild spaces” in you, or that it
opens the “dreaming eye.” (Okay
I say that—see the poem to the right.) Drumming opens you, simply and
mysteriously. And that is why it is both incredibly fun and incredibly
beautiful. I hope that you will find this to be true, as I have.
There’s a poem that comes to mind that I think has a
lot to do with how you should view the drumming experience. It’s from a German
painter who called himself Wols:
Do not explain music
Do not explain dreams
The elusive penetrates all
You must know: everything rhymes.
When we drum, I encourage you let go of analyzing, let go of explanations, let
go of judgments. When you do that, it is my experience that the Divine (whatever
that is—you decide) flows in to the spaces occupied by those constricting
energies, and you may be filled with the expansive, awesome sense that
“everything rhymes.” That is my experience, and it is my hope for your as
you drum.
A little historical perspective: We usually think of drums as African,
and I do use some African
style drums in our group. But I primarily use a type of drum called the
“frame” drum. The “Native American” style drum (hand held, played with a
stick) is a frame drum, as is the tambourine (a frame drum with jingles). These
types of drums are found nearly everywhere on earth. In the biblical book of
Exodus, Miriam, the sister of Moses, plays the frame drum while the women
rejoice (in trance) over the miracle of the parting of the sea, and the
destruction of Pharaoh’s army (Exodus 15:20). Psalm 150 tells us that the
frame drum, along with other instruments, is to be used to praise God. As the
Roman Empire
became Christianized, the frame drum began its slow vanishing from the Western
world. Percussive music was banned as “mischievous” and “licentious”
(which it is). The drum and cymbals represented, to the church, the devil’s
pomposity. In Western culture, the drum became an instrument of war, not an
instrument with which to praise the holy. This, to me, is an example of what
happens when we try to suppress the mystical energies present in us—prayers
praising the life force transform into chants praising the death force. This is
why it is crucial to re-open our mystical energies, because it is clear that
death chants have a grip on our culture.
Hand drums were eliminated from early Christian worship because of their
association with the divine feminine—the goddess. The drum’s roundness
evokes images of the full moon, the pregnant belly, the womb—all images
important to the female based mystery religions that populated the
Middle East
at the time of Christ. In historical Goddess worship traditions, as well as in
cross cultural shamanic traditions, the frame drum is the primary instrument
that invokes trance states necessary for spiritual transformation—this is
certainly something that priests and hierarchies found (and find) threatening.
For More Information
Read
some of the past
letters
to drummers from Jaime or contact Chris Bremer at 952-926-8542 or
bremer101@yahoo.com for more
information or to inquire about upcoming activities.
| |
|